Matt McAvoy Book Review

From very early on when reading this book, two things become immediately clear: first, this is a particularly formulaic horror book, and second, Rae knows her genre very well indeed.  It opens with a great, attention-grabbing, wince-inducing scene, which grips the reader firmly by the throat, in typical fashion, and, for those seeking a standard get-what-you-see supernatural horror thriller, it continues in the same vein relentlessly throughout.

“The Fear” is Rae Louise’s homage to the...

I was drawn to “Monoland: Into The Gray Horizon” by the cover and the premise: that of a young man trapped in a “land of grey”, immediately following the moment of his death.

“Monoland” is another name for Purgatory – it is neither Heaven or Hell, but a biblical world in between, which runs parallel to our own dimension, here on Earth.  The book deals with some interesting concepts: the feelings of love and loss, the realization that eternity is forever, and a being has to ca...

“Devil in the Countryside” is strange, in the respect that it deserves a huge amount of respect, while slightly disappointing in terms of its content.  By the blurb and the cover style, I was expecting a more conventional werewolf horror story; in fact, this was neither a werewolf tale as such, or part of the horror genre.  More accurate a description would be a Reformation-era whodunnit/political intrigue thriller, in the vein of “From Hell”, “The Name of the Rose”, or perhaps ...

Poetry can be a wonderful expression of art, if written well – if not, it can be infuriating.  Like classical music, when beautifully crafted, it is hard not to love.  This emotional collection, by Norman Berisford, is at times a sublime love ballad, at others a celebration of all things “life” – from the leaves on the ground to the sun, from grieving for a loved one, to God’s nature and Creation itself.  The odes and poems in this anthology vary in style from prose to verse, from b...

I’ve read alot from this author, and have come to the conclusion that he is a master of metaphors – the satisfying kind, which make one give a little smile and an understanding nod.  With a penchant for first person narration, he draws the reader immediately into the world of his characters, unsavoury, yet as normal as you or I – a world in which life can change in an instant.  Another trademark of Michael Irwin, apparent in this bite-sized cautionary tale of villains, blags and remorse...

These may be 3-minute reads (one or two maybe a little longer), but it is clear from very early on that their composition was far from brief – the author has put a huge amount of work into each one of these stories, and moulded them in a very unique style.  Although only an average of 750 words, each displays a particularly impressive know...