This is a fine book, though I have to say its
title is somewhat sardonic, as the Ward family at the start of the twentieth
century endures some of the worst traumas one family can possibly go
through. You therefore need to accept
that this is a book about faith most of all: faith in God, Heaven and that fortune
will prevail. Though, I don’t want to
spoil the book, but I will say prepare yourself to take a beating from life, along
with this unfortunate family. Yet
prepare yourself also for joy, love and hope, all of which deeply characterize
Glynda’s writing.
The book ends with an afterword by the author,
in which she reveals her own family connection to the Wards, which was a little
confusing as a reader, for I went from thinking this book was pure fiction to
then wondering if it was fully biographical; I still don’t feel this is made
clear. I believe from the submission
that it is anecdotal semi-fiction, and that the Wards are based on real stories,
hearsay and news items of people from those fateful days in rural Texas. And that brings us to what is arguably the
real star of this book: Glynda’s meticulous and hugely admirable research and
work ethic are second to none; they are outstanding. She has crafted a world which is both epic in
its scale yet small enough to comprise the fate of one family. The early scenes, in which the storm ravages
the family’s hometown, are vivid and bold, and the whole thing, particularly
the large setpiece scenes, feel like a vast palette painted with broad,
tumultuous strokes. She is a wonderful author,
and her diction contains a great deal of warmth. The Ward family are collectively and
individually an example of virtue and faith, despite enduring incredible tests. Personally,
I couldn’t relate so much to the continual hope and faith in God, but at the
same time, it is clearly the basis of a solid family foundation which runs like
an artery throughout the whole book, regardless of the numbers.
If you like pre-WW1, rural southern-state fiction
with a large dose of historical reality, and are inclined toward bleak family
melodrama, this is a fine example of that.
I think that many will relate, particularly those whose family members
have imparted tales of pre-war, pre-medicine and technology living in rural and
farming communities. This book, as I’m sure
was the author’s intention, gives us an intimate and stark insight into both the
woes and the pleasures of life in a time which is, sadly, perhaps fading from
memory. A recommended read for fans of
warts-and-all, simmering emotional drama.